Nylon Guitarist

Tremolo Mastery Part 2

Tremolo Mastery Part 2

Flamenco guitar tremolo - 4 stroke (P m a m i)

 

 

 

Video Details

Tremolo Mastery Part 2

Flamenco guitar tremolo - 4 stroke (P m a m i)

Playing time: 0.39
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Complete Study Of Tremolo For The Classic Guitar

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Complete Study Of Tremolo For The Classic Guitar For guitar. Classical Guitar Method or Supplement; Method/Instruction. Instructional. Instructional book. Standard notation, introductory text and instructional text. 17 pages. Published by Alfred Music Publishing (AP.FC03046)

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4 stroke tremolo - P i a m i    or   P m a m i

 

P i a m i

Most flamenco books indicate a 4 stroke tremolo as P i a m i.
Although this pattern seems logical to the people who use it, to me it doesn't make any sense. If you leave out the P for demonstration purposes and just write the remaining finger pattern you get:

 

i a m i i a m i i a m i

 

Do you see how the i finger is doubling up. The argument in it's favor is that the P breaks up the doubling up effect and therefore it makes no difference. Well I don't agree with that logic. A more natural alternative it to use P m a m i.

 

 

P m a m i
Now if we leave out the P as we did before we get:

 

m a m i m a m i m a m i

 

There is no doubling up of any finger. Try waving your fingers in the air in these patterns and tell me which one feels more natural. I can play both, but P m a m i has been my personal favorite for years. WHY? Because it's easier to play, feels more natural and sounds better. I recommend you try both so you can decide for yourself, but give the P m a m i a chance and I believe you will be convinced it is the superior technique. Learning guitar should not be about following other people like a bunch of sheep. It should be about getting the sound you want and daring to be different. By the way, this P m a m i method is not my invention. I have seen books that use it and it was taught to me one of my early flamenco teachers. If they can help you play better, such rules are meant to be, and are destined to be broken.

 


 

The video shows :

A demonstration of the technique that I use to play tremolo.

 

The staccato sound produced by the fact there is always one finger on the strings. This is a key element to getting a good sound.

 

Practical video example:

Granadinas (Flamenco guitar solo using 4 stroke tremolo)


 

PS

For the record, tremolo is not the only technique that I play in a way that is different to what is considered "standard" in many books. More often than not I tend to play picado starting with m as in m i m i. Most books indicate picado starting with the i finger as in i m i m. I'm not saying all this because I want you to think I am some sort of rebel. I have tried all of these techniques and I have come to the conclusion that what is taught as standard is not necessarily the best thing for any given individual. It should be left to the individual to find what is best, rather than lay down standards in books. Unfortunately most teaching methods do not show the alternatives and tend to mention only one method as if it was the one and only way. Some standard things suit me and others do not. If I find an alternative that is easier to play and sounds better to me, I will naturally tend to favor the alternative method over the standard way. It's as simple as that. At the end of the day, my body chooses the techniques that are better, not my brain.

 

 

See also

Tremolo Mastery Part 1

Tremolo Mastery Part 2

Tremolo Mastery Part 3

Tremolo Mastery Part 4

 



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Rafael Marin - Free flamenco guitar method 
Rafael Marin
Flamenco guitar method 1902